dramahub

Chapter 9 - The Anatomy of a Title

The winter of that year was the coldest Oklahoma had seen since nineteen-eighty-five.

The ground was frozen solid to a depth of eight inches from the middle of December until the first week of February, the frost heaving the sidewalks in Norman until the concrete slabs looked like broken pack ice.

In January, my father had a minor ischemic stroke.

It happened on a Sunday afternoon while he was watching a playoff game between Green Bay and Dallas. He didn't lose his speech, and he didn't lose the use of his legs, but his left hand—the hand that had held the remote control and the Miller Lite in the green koozie—developed a permanent, three-inch tremor that made it impossible for him to turn the small brass key in the lock of his post office box.

I learned about it from an insurance notification.

Because I was still listed as the secondary beneficiary on his municipal pension policy—a form he had filed in nineteen-ninety-four and had forgotten to update when Maddie got her second divorce—the state benefits office sent an administrative inquiry to my address regarding the assignment of power of attorney for medical disability.

I drove up to the hospital in Oklahoma City on a Tuesday morning.

I didn't take Noah. I didn't take Emma.

I went alone, wearing my work boots and my canvas jacket, the pockets smelling of cold cedar shavings from the cabinet shop where I had taken a second job as a finisher.

The room was on the fourth floor of Saint Anthony’s, overlooking the gray roofs of the medical district.

Arthur was sitting in a vinyl armchair by the radiator, wearing a gray flannel hospital gown over a pair of navy sweatpants. His left hand was resting on a pillow in his lap, covered with a white towel to hide the twitching of his fingers.

Brenda was not there.

She was downstairs in the cafeteria having coffee with Maddie, according to the nurse who checked my visitor’s badge at the station.

When I opened the heavy fire door, Arthur didn't jump.

He slowly turned his head, his thick bifocals reflecting the pale winter light from the window, his jaw covered in three days of white, patchy stubble that made him look ninety years old.

"Zane," he said.

His voice was thicker than it had been in October—slurred slightly at the edges, like an old tape player with a stretched belt, but his eyes were completely clear.

"Arthur," I said, staying by the door with my hands in my pockets.

He looked at my boots. Then at my jacket. Then at the empty plastic chair beside his bed.

"You didn't bring the boy," he said.

"No," I told him. "I didn't."

A long, heavy silence settled over the room, broken only by the rhythmic, pneumatic hiss of the blood pressure monitor cycling on the wall: psssh-tck... psssh-tck.

"Your mother says you're living like a hermit down in Norman," Arthur muttered, his left hand jerking beneath the white towel. "Says you won't answer Clara’s letters. Says you didn't even send a card for Christmas."

"I didn't," I said.

"She’s your mother, Zane."

"We’ve established that, Arthur," I said. "Three times now."

He leaned his head back against the vinyl cushion of the chair, his eyes closing for several seconds. The skin around his nostrils was yellow, translucent, the small blue veins at his temples pulsing with that slow, tired rhythm that signals an engine reaching the end of its operational hours.

"I built that room for you," he whispered.

I blinked. "What?"

"The bedroom in the basement," Arthur said, not opening his eyes. "Nineteen-ninety-six. You wanted that darkroom for your photography club. I spent three weekends digging out that crawlspace with a five-gallon bucket and a short-handled spade. My back was out for a month. You remember that?"

I stood by the door, looking at the gray hair at his ears.

"I remember," I said. "And then Maddie wanted the space for her dance costumes two years later, and you put my enlarger out by the garage in a garbage bag."

Arthur’s eyelids twitched, but they didn't open.

"She was a girl, Zane," he said, his voice dropping down into that defensive, ancient gravel. "A girl needs things that a boy doesn't. You were always... you were always solid. You could take a blow and not show the mark. Maddie... if you looked at Maddie hard, she fell to pieces. What was I supposed to do? Let her drown?"

"You didn't save her from drowning, Arthur," I said, every word coming out of my chest with the weight of twenty years of silence. "You just taught her how to hold other people’s heads underwater so she could keep her feet dry."

He opened his eyes then.

They were small, watery, and full of that terrible, bewildered anger that old men feel when they realize that the world has ceased to accept their definitions.

"You think you’re better than me," he hissed, his right hand gripping the armrest of the vinyl chair until the plastic groaned.

"No," I said, stepping toward the bed and laying the blue state pension form on the bedside table beside his water pitcher. "I don't think I'm better than you, Arthur. But my son is seven years old, and he knows that his father would rather sleep in his car behind a lumberyard than let anyone treat him like garbage for the price of a Sunday dinner."

I pointed at the signature line on the document.

"I signed the waiver," I said. "The power of attorney goes to Maddie. She can have the state check, she can have the house on Linden Lane, and she can have the car. You don't owe me a dime, Arthur. And I don't owe you another afternoon."

I turned toward the door.

"Zane!" he called out.

The voice was thin, cracked, stripped of all its executive authority, sounding for the first time like an old man calling out into an empty hallway at midnight.

"What?" I asked, my hand on the heavy brass lever.

Arthur looked down at the white towel on his lap—at the small, involuntary jerking of his fingers beneath the cotton.

"Did he... did he like the Charger?" he whispered.

I looked at him through the cold light from the window.

"He loved it," I said. "He keeps it on his nightstand right next to his bed."

"Tell him..." Arthur swallowed, his throat working like a dry pump handle. "Tell him I had the wooden track down from the attic. I had it in the trunk of the car on Saturday. I was gonna set it up in the hallway after the cake."

I stood on the threshold for three seconds, looking at the man who had taught me how to drive a tractor, how to change an oil filter, and how to abandon a child without raising his voice.

"No, Arthur," I said gently. "I'm not going to tell him that."

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"Why not?"

"Because," I told him as I pulled the door open to the sterile hallway, "it's too late for track."

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